All content copyright Beth Surdut 2017. All rights reserved. DO NOT USE WITHOUT PERMISSION.
Paintings, drawings, murals, installations, textiles and clothing inspired by nature and world cultures
The Aquarium: I created large hand-painted silk panels (approximately 4 feet high), covered with plexiglass. Sarasota home-enhancer Stephen Ehresman made custom molding for the existing curved-top niches and installed the paintings in a small round room. I painted the walls to look as if ambient light shines delicately through water. The completed room feels like an aquarium where loggerhead turtles, angelfish and tangs swim in a reef of corals, sand dollars, and urchins.
Murals and Rooms
Bamboo Forest, and a seaplane!
The Whirlpool Galaxy
as seen by
the circles of a conch,
the mandala of creativity.
Some of the residents of exclusive Longboat Key complain about too many peacocks wandering the streets, so I sent the birds out for a swim.
Music: Weaving Our Ancestors Voices by Sheila Chandra
Sunday sunset at Siesta Beach where the drum circle beats and dances on sugary white sand, hotheaded pink meets serene teal water as the emerald flash sparks the horizon.
Music: Madman Across the Water
by Elton John & Bernie Taupin performed by Bruce Hornsby
“Don’t be scared,” said my guide as the alligator lunged for my kayak. The waters of the MyakkaRiver are a feast of birds and gators—I just didn’t want to be the main course. “Gee, I’m glad he didn’t decide to climb across our boats,” confided the guide. My reaction, that of shock masquerading as aplomb, earned me a new moniker. At an orchid sale the next day, I was introduced by one of my paddling companions as Gator Girl.
Music: Unaccompanied Cello Suites
by J.S. Bach performed by Yo Yo Ma
Wild and cultivated, wacky and conservative, this is terra infirma, where orchid growers, poets, songwriters and stargazing techies embellish a primal melody. This series, initially destined for a solo exhibition at a symphony space in Massachusetts, was painted on the west coast of Florida. At the end of each segment, I've posted some of the music I listened to while I was painting each piece.All are approximately 30"w x 45"h
“Her paintings refer to intemperate myths… they evoke the sacred… intimations of the life force." Longboat Observer news
The mysterious longing for beautiful places...
"I came so far for beauty/I left so much behind/
my patience and my family/my masterpiece unsigned"
~ Leonard Cohen
True for me, except all my pieces are signed.
Orchidgrowers are part farmers, scientists, and appreciators of beauty that demands patience for plants that may bloom only once a year.
Music: No Boundaries performed by Natalie MacMaster
Less than two weeks after I arrived in Florida, I sat out in someone’s backyard listening to poets and songwriters spill out their frustration at Hurricane Charlie’s wild trip. By the third poem of fear and homelessness, I asked the group if I should turn tail and run. “No, we figure in a year you’ll be living down here with us, and we’ll tell you when to run like hell.”
Music: The Whole Night Sky by Bruce Cockburn performed by Christine Collister
Dragon scales tend to harden when they shed, and the ones I found on the beach on Siesta Key at sunset were no exception. A bit crusty on the rounded edges, they could have been Pele's tears sliding down the volcanoes where I lived in Hawaii. The mist of dragon’s breath rising off the ocean holds the rancid smell of the red tide that kills manatees and causes a human’s throat to swell.
Music: The Mask and the Mirror
by Loreena McKennitt
DRAGON SCALES AND HURRICANES: HARMONIC CONVERGENCE
Some things fishy in the ocean:
mermaids, mammals, corals, turtles, dolphins, whales